Last Friday, the 5th, I spent a warm January night dropping in on a gig at the Ed Castle. Voros were headlining, supported by Biome, I, Protagonist and Meth Leppard. A friend in I, Protagonist had asked me along, I had a book I’d wanted to give him, and I needed to get a bit more familiar with how my new camera handled the dark. Ultimately though, I’d only be able hang around for the support acts.
Biome were first cab off the rank, starting off by mixing in what was either Tuvan or Tibetan throat singing with reggae, jazzy bits and death metal. It worked pretty much seamlessly.
I’ve never had a problem with women growling on lead vocals, but I’ve occasionally wondered if market forces don’t tend to commodify and tropify female death metal leads – moreso than males – in the direction of musical cliche and the predictable throwing of shapes. Fortunately Biome’s vocalist, Jo, showed no signs of any of that. Her vocals were unaffected and her stage presence was that of a person seemingly happy wearing their own skin.
I wasn’t able to get up closer for a snap, and the lighting had possibly drenched the stage a bit too red for my camera’s liking. But maybe it was safer I’d hung back anyway: The stage looked like a scene from Stephen King’s Carrie – if Carrie had been possessed by Pazuzu.
(Also, judging by the bassist’s moustache, there may have been pirates).
People have told me this was Biome’s first outing, although I’m not sure of the truth of the matter. If this is just the beginning for them, I hope the industry affords them the ability to keep on doing their own thing – especially if one day they get signed by a label. You can check out their stuff for yourself here.
Next up were I, Protagonist, who cranked out a few memorable numbers with a dual vocal attack, between fits of making ears bleed. “Sober Dionysian” is a track I’ll probably reference as a starting off point for a future discussion of the Apollonian and Dionysian. A new track, “The map and the territory” was chunky in all the right places, but apparently the drummer made a mistake during the performance. I can’t say I noticed.
I was able get a bit closer this time, and from that vantage point it looked like the crowd were keeping their distance. Maybe they were worried Scott would tread on them, what with all the stomping back and forwards. Or maybe they didn’t like his The Smiths t-shirt (“eww, Morrissey”). How he didn’t put a foot through a foldback speaker I have no idea.
You can get a hold of some I, Protagonist online here.
A Scripted Oblivion CD: $5 from the merch table at reputable watering holes.
After a short change, Meth Leppard followed.
My camera managed to get a single clear(ish) shot towards the end of the sound check. The rest of the time getting a clear shot of the drummer would have been like trying to take a picture of a hummingbird’s wing – he was all over that kit.
I’m not overly familiar with Meth Leppard, and maybe my ears were just fucked by this point, but I was hoping to hear some Krokodil Dundee in there and I’m pretty sure it didn’t happen. All the same, you’ve gotta love a band with a name like Meth Leppard who then follow through with a title like “Krokodil Dundee”; worth a check-in on that basis alone.
Grindcore, like other “core”s, isn’t really my thing, but I’m finding I feel it live a lot more than when I listen to it at home. Meth Leppard are no exception, so maybe I’ll have to keep my eyes open for more of them in future.
Meth Leppard can be found dealing their seedy wares on Bandcamp here.
Being soft and all, I had to head home before Voros hit the stage. It’s okay if you think I suck for that. I’ll probably have to start doing a little more homework on them in the near future (i.e. listening to them more intently).
Their latest album is available on Bandcamp here.
So that was it for the Ed Castle. Or so I thought. I’d only just bought my ticket to February’s Churches of Steel II, when it was announced that the event would be relocating to The Ed Castle after The Producers had closed.
This’ll be an interesting addition to the ticket collection.
The older tickets to The Producers will be honored at the new venue, and the two stages will be maintained; one of them in the beer garden. Sweet.
I’ve also paid up for Overkill and Destruction’s gigs at Fowlers in the first half of 2018. Not having gotten out to nearly enough gigs over the years, I’m contemplating seeing if I can get along to see Venom Inc. at The Enigma Bar too. There’s also Heavy S.A. to consider in April, and it looks like Biome are on the lineup.
Either way, when the time comes I’ll be writing up some proper gig reviews around here.